I’ve been trying to decide on music for my next competition routines and when this song came on in my husband’s car, I considered it until I realized that the incomparable Sarah Jade had performed to it at Dance Filthy 2016 and there’s no way I could do it justice after her! It’s still a great song, though, so I used it for class where I could really dance it out and bring other people along with me on the ride. I showed my class her video afterwards and it was the first time seeing Sarah Jade for most them: everyone was in awe.
My goal for this routine was to make it more flowy than usual and focus on some floating arm movement. I definitely focus more on legs than I do on arms in my choreography, and it’s a big weak spot. The specifically incorporated arm movements are at :10, :23, :40, 1:01, 1:44, and 1:58. Going back through the routine now and counting them all out actually makes me feel better about realizing my intention! I definitely think I accomplished my goal of making this routine more circular and flowy than others, especially if you compare it to You Don’t Own Me from a couple weeks ago. There is tons of room for improvement, but it’s a start. I have some goals for 2018 in terms of my dance, and I’m eager to accomplish them!
My husband and I watch Shameless – he was into it and watched it regularly, and by virtue of being in the same room while it was on, I got sucked into it. I’m simultaneously horrified and intrigued by the lives the people in the show (and I know many people in real life) live. This song was on the show a couple weeks ago and my husband commented that he was surprised no one had used it for a pole routine yet. We both set off to see who could find it first since Shazam wasn’t working: he found it on Soundcloud, but it wasn’t anywhere else. I found the band’s Facebook page, and it looked like they had created it just before that episode aired, so it was a brand new song! I immediately was reminded of Tynesha Brown’s amazing routine to River by Bishop Briggs last year, mostly because the songs are in the same vein and she did such a good job interpreting that music! This is definitely not my normal kind of music, but something about it resonated with me, so I used it for class.
My favorite moments in this routine are the heel clack – step – step at :23, the little kick – scorpion kick up to sit at :47, and the end chest circles, leg twirls, and pose. I also love this skirted bottoms from Vekker LA! I had so much fun dancing in them: they definitely put an extra pep in my step.
This song is just so good, of course I had to do a routine to it! I know I’m a little late on the trend with this one, but that doesn’t mean it’s not still a great song. There are a couple of elements I like in this routine: the low turns in place at the beginning, the little heel clack – hook – cross – roll combo at :41, and the internal consistency of 3 different double stag legs, as well as repeated bent and straight leg shapes. This was a very angular routine, whereas sometimes I try to focus more on circular movements and shapes. Even though there are several spins here, I feel like they are pointy spins. As I go through my videos, both class and competition, I often see better choreography coming from my class routines than my competition ones, and I really want to work on making the competition routines more stylized and consistent in shapes and theme of movement elements.